Description
ORIGINAL MEDICI PRINT [ Preserved Perfectly Under Glass , Sealed with Identification Labels Verso.
Titled ‘ Interior,With A Women Peeling Apples ‘ After the original oil portrait painting executed in 1663 by Pieter de Hooch.
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A SHORT HISTORY OF MEDICI
The Medici Society Ltd was founded in 1908 by Philip Lee Warner and Eustace Gurney. The company’s original aim was to bring artists’ work to the appreciation of a wider public through technically cutting edge high-end colour reproductions, with subjects chosen for their artistic value, beauty or sentiment sold “for the lowest price commercially possible”.
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The name Medici was chosen as a homage to the great Florentine family who did so much to encourage art in the Italian Renaissance. The profile of Lorenzo de’ Medici (1449 – 1492), known as Lorenzo the Magnificent, was incorporated into the trade mark.
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ABOUT ARTIST
Pieter de Hooch (Dutch: [‘pit?r d? ?o?x], also spelled “Hoogh” or “Hooghe”; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of Jan Vermeer in the Delft Guild of St. Luke, with whom his work shares themes and style.
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De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. Little is known of his early life and most archival evidence suggests he worked in Rotterdam, Delft, and Amsterdam. According to his first biographer Arnold Houbraken, he studied art in Haarlem under the landscape painter Nicolaes Berchem at the same time as Jacob Ochtervelt and was known for his “kamergezichten” or “room-views” with ladies and gentlemen in conversation.Â
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De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were early members of the Delft School. He became a member of the painters’ guild of Saint Luke in 1655 (two years after Vermeer)
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The early work of de Hooch was mostly composed of scenes of soldiers and peasants in stables and taverns in the manner of Adriaen van Ostade, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter.
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After starting his family in the mid-1650s, he switched his focus to domestic scenes. These were possibly of his own family, though his works of well-to-do women breastfeeding and caring for children could also indicate that he had attended his mother on her rounds as a midwife.
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His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch.
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CONDITION
Excellent Order For Age